My artistic practice stems from an interest in materiality, perception, and the role of objects in our lives. I primarily work with ceramics but also incorporate materials such as wood, concrete, glaze, and metal to explore how meaning emerges in the encounter between form, function, and surface. Through material-based and exploratory processes, I unfold how objects influence us—not only as functional items but as active agents we sense, interpret, and live with.

I do not view objects as passive or finished, but as carriers of potential, resistance, and change. In my work, I am interested in the shifts that occur when form is displaced, function disrupted, or materials behave unpredictably. I experiment with the boundaries between the stable and the fragile, the controlled and the uncontrollable, often working with processes where transformation—whether physical or sensory—becomes a focal point.

My studio practice is both a sensory and conceptual endeavor, where I investigate how the properties, faults, and changes of materials can be meaningful in themselves. I do not seek perfection, but the living—the moving, the transforming, or the opening of new ways of seeing and understanding. Through this work, I aim to create objects that invite reflection, spark curiosity, and challenge our habitual relationship with the things we surround ourselves with.